Music Model Question Papers

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Music Model Question Papers

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Music Quiz Model Questions and Answers

1. The period of Sangeetha Makaranda is in:
(A) 11 century
(B) 12 century
(C) 13 century
(D) 9 century

2. An example of sampurna shadava raga:
(A) Nalinakanti
(B) Garudadvani
(C) Bhairavam
(D) Suddha Bangala

3. Syllables employed in ‘Samaveda’ is known as:
(A) Chandass
(B) Sthobhas
(C) Pluta
(D) Anudatta

4. The author of Bhakthimanjari:
(A) Swathi Tirunal
(B) Muthiah Bhagavatar
(C) K.C. Resava Pillai
(D) Irayimman Thampi

5. A Talamalika composition which is very much like the form Gita:
(A) Prabandha
(B) Sahda
(C) Suladi
(D) Sabda Pallavi

6. Sarangi is an instrument:
(A) With no sympathetic strings
(B) With sympathetic strings
(C) Having eleven to fifteen sympathetic strings
(D) Having twenty to twenty four Sympathetic strings

7. In the Ashtothara mela system, the name of the 15th chakra is:
(A) Jaya
(B) Vayu
(C) Maya
(D) Chaya

8. A dhaivadantya raga which is used in folk music is:
(A) Navaroj
(B) Punnagavarali
(C) Kurinji
(D) Nadanamakriya

9. The ‘father of padam’ is attributed to:
(A) Bhadrachalam Ramadas
(B) Purandaradasa
(C) Swathi Tirunal
(D) Kshetrajna

10. A composer earned the fame by composing and exponding pallavi in Simhanandana tala:
(A) Koteeswara lyer
(B) Sarabha Sastri
(C) Tiger Varadachari
(D) Mahavaidyanatha Iyer

11. The mudra of Papanasam Sivan:
(A) Guhadasa
(B) Ramadasa
(C) Venkitesa
(D) Kavi kunjara dasa

12. Carnatic music ‘Pada’ is equal to the Hindusthani music:
(A) Ttappa
(B) Gazal
(C) Khayal
(D) Tumri

13. Pan Gandharam is equal to:
(A) Kedaram
(B) Navaroj
(C) Arabhi
(D) Vyazhakurinji

14. Semibrave is equal to:
(A) 1/2 aksharakala
(B) 1 aksharakala
(C) 2 aksharakala
(D) 4 aksharakala

15. The svakiya svara in Bhairavi raga is:
(A) Sadharana gandhara
(B) Suddha dhaivata
(C) Chatusruti dhaivata
(D) Kaisiki nishada

16. A gamaka which comes only under Panchadasa gamaka:
(A) Gumpita
(B) Pratyahatha
(C) Arohana
(D) Sphuntha

17. Sangitha Saramritha was written by:
(A) Shaji Maharaja
(B) King Thulaja
(C) Haripala
(D) Parsvadeva

18. An example of gandhara dvaya bhashanga raga:
(A) Saranga
(B) Asaveri
(C) Atthana
(D) Hindusthani Bihag

19. The earliest way for dividing 22 srutis through sa-pa and sa-ma cycle is in:
(A) Fractional method
(B) Cents method
(C) Arithmetical method
(D) Multiplication method

20. Patikala is the anga of:
(A) Bharathanatyam
(B) Panchavadyam
(C) Mohiniyattam
(D) Thayambaka

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21. If a Murchana is made from the Madhya Gandhar of the Raag Makkauns _________ Raag will be obtained.
(A) Madhukauns
(B) Chandrakauns
(C) Durga
(D) Bhopali

22. __________ be, Invented the Khayai Gayaki.
(A) Mansingh Tomar
(B) Husane Mahammed Sharkt
(C) Gulam Nabi
(D) Taansen

23. The modern Hindusthan Thaat sysiem of 10 thaats (Meis) is developed by
(A) Vishnu Narayan Bhatkande
(B) Yishou Digambear Paluskar
(C) Balakrishna Buve tchalkarankar
(D) Prof. B.A. Devdhar

24. The frequency of the Shudh Gandhar of Pt. Sanivas is
(A) 440 Hz
(B) 288 Hz
(C) 320 Hz
(D) 270 Hz

25. In Hindusthani music mathematically there are _________ Thaals (Meis) of Shudh Madhyarm.
(A) 16
(B) 32
(C) 72
(D) 10

26. Pt Palusker founded Gandharva Mahavidyalay in
(A) 1889
(B) 1932
(C) 1301
(D) 1914

27. The characteristic of the Naad that differentiates the tonal quality of one instrument from the other is
(A) Pitch
(B) Timbre
(C) Cota Badappan
(D) Harmony

28. In Ancient Shriti System Swaras ware placed in the _________ place of their respective Shruties.
(A) First
(B) Second
(C) Third
(D) Last

29. ___________ is a commonly used notation system in western music.
(A) Staff notation
(B) Solfa notation
(C) Neumes notation
(D) Chievh notation

30. Pandit Vishnu Narayan Brhatkande learnt the following Instrument from Vallabhdas.
(A) Sarod
(B) Sitar
(C) Saarangi
(D) Veena

31. The author of Swaramela Kalanidh’ is
(A) Kallinath
(B) Ramamatya
(C) Somanatha
(D) Bharata

32. Ustad Zakir Husane belongs to ___________ Gharana.
(A) Dalhi
(B) Purab
(C) Punjab
(D) Berndt Bazar

33. Harmoniurn is a ___________ instrument.
(A) Tat
(B) Sushir
(C) Vital
(D) Ghan

34. The Samvaaadi Swar of Raag Basant is
(A) Shadaj
(B) Nisha
(C) Pancham
(D) Shyudn Madhyam

35. Nohar Bani is a __________ Gharana.
(A) Khayal
(B) Kathak
(C) Dhrupad
(D) Dhamer

36. Pancham Savari Taal has ____________ Matras.
(A) 5
(B) 10
(C) 14
(D) 15

37. The pen name of Ustad Fayaz Khan is
(A) Naad Piya
(B) Pram Piya
(C) Raam Rang
(D) Shok Piya

38. The founder of Gwaliar gharana is
(A) Naththan Peerbhaksh
(B) Abdul Kareem Khan
(C) Haddu Khan
(D) Kadir Bhaksh

39. Kathakkali is the dance of
(A) Karmataka
(B) Kerala
(C) Chernnai
(D) Maherashira

40. ___________ is the percussion Instrument used In Odissi dance.
(A) Mridangam
(B) Tabla
(C) Pakayaj
(D) Dholak

41. Sarangdev wrote
(A) Geet Govind
(B) Sangeet Ratnakar
(C) Chaturdandi Prakashika
(D) Datiamu

42. __________ Mal (Thaat) is a Shudh Mal in Camatic Music.
(A) Shankatabharana
(B) Kharahara Priya
(C) Hanumatodi
(D) Kanakangi

43. ________ wrote the book “My Music, My Life’.
(A) Pandit Ravishankar
(B) Ustad Ali Akbar Khan
(C) Pandit Malikarjun Mansur
(D) Pandit Taranatn

44. __________ is a part of ancient Anibadh gaan.
(A) Mandra Alaap
(B) Raapak Alaap
(C) Nom Tom Alaap
(D) Sanchar Alaap

45. The third part of ancient Prabandh was
(A) Dhruv
(B) Melapak
(C) Udagrah
(D) Abnhog

46. Which of the following artists is not a Sitar player ?
(A) Vilayat Khan
(B) Sultan Khan
(C) Nikhil Banergy
(D) Ravishankar

47. Pandit Kishan Maharaj hails from ______________ gharana.
(A) Lucknow
(B) Delhi
(C) Purab
(D) Banaras

48. Pandita Kishor Amonkar was awarded in 2002.
(A) Padma Bhushan
(B) Padmashree
(C) Padma Vibhushan
(D) Sangeet Natak Academy Award

49. Gottuvadyam is also called
(A) Chitra Veena
(B) Alaabu Veana
(C) Vitantri
(D) Kachchapi Veena

50. Pakki Hori sung in ___________ Taal
(A) Choutaal
(B) Deepchandi
(C) Dadra
(D) Dhamar